《漢畫總錄》是一個(gè)意義重大、影響深遠(yuǎn)的國(guó)家級(jí)文化搶救和文化建設(shè)項(xiàng)目,以照片、拓片、線描及墓葬位置復(fù)原圖等方式記錄漢畫圖像,對(duì)圖像的出土地點(diǎn)、年代、尺寸、材質(zhì)、考古環(huán)境、畫面內(nèi)容、圖像關(guān)系等作全面著錄。項(xiàng)目計(jì)劃正編150冊(cè),補(bǔ)遺50冊(cè),將通過(guò)構(gòu)建一部完整的漢代圖像志,為今后漢畫的保存、再現(xiàn)、使用等提供有力的支持和保障,為中國(guó)上古晚期的思想、政治、經(jīng)濟(jì)、文化研究奠定堅(jiān)實(shí)的基礎(chǔ)。作為本學(xué)術(shù)工程的第二期,《漢畫總錄》(11—30冊(cè))對(duì)南陽(yáng)地區(qū)的漢畫作了調(diào)查、整理、著錄,正編范圍限于南陽(yáng)漢畫館所藏南陽(yáng)及其諸縣出土和征集的畫像石,其他因客觀原因暫未收錄的部分,將在補(bǔ)遺卷中與南陽(yáng)地區(qū)的畫像磚及其他材質(zhì)、器物上的圖像一并陸續(xù)著錄。
作為一項(xiàng)奠基性的工作,《漢畫總錄》全面收集整理全球所藏中國(guó)漢代圖像,將把中國(guó)漢代乃至上古晚期歷史研究推進(jìn)到一個(gè)新的高度,并使?jié)h畫研究成為一門與敦煌研究、簡(jiǎn)帛研究、甲骨文研究同等重要的專門學(xué)科,對(duì)中華文化的保存、研究、傳承具有重要意義。
本項(xiàng)目已被列為國(guó)家“十二五”重點(diǎn)出版項(xiàng)目,是一代學(xué)人心血之所系。
朱青生:德國(guó)海德堡大學(xué)博士,北京大學(xué)教授,北京大學(xué)漢畫研究所所長(zhǎng),中國(guó)漢畫學(xué)會(huì)副會(huì)長(zhǎng)。主要學(xué)術(shù)成果如下:
1.專著:《將軍門神起源研究》《沒(méi)有人是藝術(shù)家,也沒(méi)有人不是藝術(shù)家》《十九札》等;
2.主編:《中國(guó)漢畫研究》(中國(guó)漢畫學(xué)會(huì) 北京大學(xué)漢畫研究所學(xué)刊);
3.主持課題:2012年度國(guó)家社科基金重大項(xiàng)目“中國(guó)漢代圖像數(shù)據(jù)庫(kù)與《漢畫總錄》編撰研究”、《漢畫綜述》等。
王峰:女,1969年生,南陽(yáng)漢畫館館員,主要從事漢畫研究,在《南都學(xué)壇》《南陽(yáng)理工學(xué)院學(xué)報(bào)》等刊物發(fā)表《試析漢畫像中的宗布神》《南陽(yáng)漢畫像石中的巫文化現(xiàn)象》《試析我國(guó)現(xiàn)存漢闕畫像內(nèi)容及雕刻技法 》《南陽(yáng)東漢磚文字》等論文。
前 言............ 13
圖 錄(以漢畫總錄編號(hào)排列)
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南陽(yáng)漢畫遺痕補(bǔ)編154
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南陽(yáng)漢畫畫面描述所用的術(shù)語(yǔ)與專詞....209
主題詞、關(guān)鍵詞初步集成的《術(shù)語(yǔ)與專詞表》....214
南陽(yáng)漢代畫像石的早期收集、著錄與研究...225
南陽(yáng)漢代畫像石研究文獻(xiàn)目錄.239